I wish Noteflight would...

microtones

I suggest that the feature of microtones be added to noteflight. One feature could be quartert tones (which can be used on standard music notation). Another addition may be the feature of Sonido 13 notation to allow even smaller microtones

1,419 votes
Vote
Sign in
Check!
(thinking…)
Reset
or sign in with
  • facebook
  • google
    Password icon
    I agree to the terms of service
    Signed in as (Sign out)
    You have left! (?) (thinking…)
    Anonymous shared this idea  ·   ·  Flag idea as inappropriate…  ·  Admin →

    17 comments

    Sign in
    Check!
    (thinking…)
    Reset
    or sign in with
    • facebook
    • google
      Password icon
      I agree to the terms of service
      Signed in as (Sign out)
      Submitting...
      • Isaac Jones commented  ·   ·  Flag as inappropriate

        yes i want this! at least quarter tones i mean there's already some super agreeable notation for those, too.

      • Anonymous commented  ·   ·  Flag as inappropriate

        My Tuning System Wish List:
        Bohlen-Pierce scale
        Quarter-comma Meantone
        Just Intonation
        Pure Overtone Series
        Baroque Tuning
        Middle Eastern Maqams/Scales
        etc.

      • Anonymous commented  ·   ·  Flag as inappropriate

        My suggestion would be for Noteflight to be able to offset the tuning of each note in cents at the beginning of the score and have the midi playback reflect those tunings. This would allow so much flexibility for ethnomusicological purposes or for microtonal experimentation.

      • Joel Rea commented  ·   ·  Flag as inappropriate

        Proposed implementations:

        1. Have the ability to edit parameters of individual notes or selections of multiple notes. Among the parameters that could be adjusted in a tabbed dialog box that would result would include note playback duration (for precisely controlling staccato and the like) and other performance articulations, but also specify the pitch microtuning adjustment as either a real number of cents (positive = tuned sharp, negative = tuned flat, 100.00 = one 12tET semitone) or tuning ratios expressed as an improper fraction with numerator greater than denominator, such as “3/2” for a true Just Intonation Perfect Fifth (Third Harmonic) which would roughly equal +1.96¢.

        2. Alternatively or additionally, allow the tuning to be specified at the score level and automatically applied. Tunings could be created, edited, saved, and loaded from a library of common and shared user-created tunings. This wouldn’t work for Barbershop which often requires the same note (on paper, anyway) to have multiple different tunings based on what the underlying chord is, but would for Baroque and others using medieval fixed tunings such as Meantone or Kirnberger III.

      • Anonymous commented  ·   ·  Flag as inappropriate

        Yes. At least allow for it in notation, for instance sharps and flats with arrow up or down.

      • R3hall commented  ·   ·  Flag as inappropriate

        I agree. Add mircrotone capabilities and adjustable temperments for compositions.

      • Joel Rea commented  ·   ·  Flag as inappropriate

        Ooops, meant to insert the word “semitone” before the word “individually” in the second paragraph.

      • Joel Rea commented  ·   ·  Flag as inappropriate

        Ability to specify fine tuning of individual notes, either in a defined microtuned scale or on a per-note basis (preferably both).

        This is not the same as using a different tuning base than A=440hz. It means being able to adjust the tuning of notes ± an integer or (preferrably) real number of cents (100ths of a 12tET [twelve-tone even tempered, the modern default tuning scale of MIDI]) individually.

        This is absolutely vital to a wide variety of musical genres. Bach and other Baroque music for instance sounds just plain wrong in 12tET scale. Various ethnic and other non-Western musical styles have their own tunings including quartertones and such, Barbershop uses pure harmonic tuning to get the overtones and undertones that make chords “ring” and this simply isn’t possible with 12tET.

        MIDI provides several ways to implement this on playback. If each part is on a different MIDI channel, you can use Pitch Bend events. Most modern MIDI instruments also support the later MIDI Tuning Spec (you can read about that on the official MIDI specs website) which doesn’t require putting each non-octave note per chord on its own channel.

      • Anonymous commented  ·   ·  Flag as inappropriate

        It wouldn't even require new sounds, I bet. You could just adjust the pitch of the neighboring sounds, and unless you're playing something weird like the Hardart.

      • Jazoo1 commented  ·   ·  Flag as inappropriate

        There are notes like the Maxima that are a total of 32 beats, and a Breve is 8 beats. A Demisemihemisemidemi is 1/256 beats. I've seen the demisemihemisemidemi on scores, but I'm not sure how to get it. Also, quarter tones would be cool. For those who don't know, a quarter tone are things like half sharp, flat in a half, triple flat. Things like that.

      • ccolson39 commented  ·   ·  Flag as inappropriate

        I was wondering if I could do half-flats and half-sharps, and I found I couldn't. so... why not? It mould make music sound really awesome.

      • anonymous commented  ·   ·  Flag as inappropriate

        I was really disappointed to find that Noteflight doesn't have half-sharps and half-flats! And I was very surprised to see that double-dotted notes are impossible. Adding these things would create ease for composers and eliminate the need for many otherwise useless notes that could be replaced with a simple dot. Half-flats are my life when it comes to music; I haven't been able to make a REAL song on Noteflight yet. :(

      Feedback and Knowledge Base